残桥.灌水.水后的婚纱（热烈庆祝NZCPS第一次外拍成功）

drantgte

今天的茴香馅包子不错～～～～～想我姥姥包的包子～

drantgte

还差10个就到911了～～～

drantgte

肚子疼................

drantgte

哦～？～？我翻页了啊～才发现～～o yeah～！

drantgte

905，906，907，908，909，910，911～

目标越来越近了

drantgte

和尚今天没法发宝丽来那照片了～

drantgte

奥克兰好冷啊...快冻死我了，冷风呼呼的刮，太阳也不上班

drantgte

明天我想洗衣服，太阳多出来会吧～～～把我的衣服晒晒再晒晒，晒晒太阳不长毛～～

drantgte

和尚呢～？

drantgte

还有两个...

drantgte

哈哈啊啊～～～到911拉～再给美国来一次～～o yeah！

drantgte

今天的灌水完毕～～～～～

drumaurora

倒！！！！目标999

snow-angel

每日一贴~~~~~~
美容养颜~~~~~
呼呼睡去~~~~~~

Calvin_Chan

999吗?~~~~~

Calvin_Chan

助推~~~~~~~~~~~~~

敬孔

清晨起床灌水忙～～
我在6月10日晚上11点半才知道6月11日早上9点半要交5篇小的essay。
然后就匆匆忙忙睡觉了...

4点半爬起来写，到现在为之刚写了3篇多几行...

休息一下准备继续。

Calvin_Chan

大师作业真多呀~~~~

努力努力~~~~!

敬孔

Pamela M. Lee, ‘On the Holes of History: Gordon Matta-Clark’s Work in Paris’, October, No.85, summer 1998, pp. 65-89.

This article is quite valuable for me because it shows an idea of the contemporary architecture of Paris which relevance to my own work. Gordon Matta-Clark produced a body of work popularly known as the ‘building cuts’: sculptural transformations of abandoned buildings paradoxically constructed through the cutting and virtual dismantling of a given architectural site. This article not only brings me an idea of architectural structure of people’s life, but also gives an enlightenment of how the structure changes in a period of history. The most important thing for me, in the article, is answered me the question about how sculptural and architecture mixed up together, and the point of that is sculptural is a sort of ‘unreal’ of people’s life, but the architecture is a ‘real’ of people’s life because people is living in side of the ‘real’.

Matta-Clark’s cutting works address the temporality of the built environment itself, marking the destruction of the buildings that effectively constituted such places. I may not to cutting holes as Gordon, but that is a really cool idea of how to compare the ‘real’ and ‘unreal’ in the way of transforming the structure of an architecture.

敬孔

我恨写作业...

敬孔

.                                                                                                 .

敬孔

Tom Burr, ‘Sleazy City: 42nd Street Structures and Some Qualities of Life’, October, No.59, 1995, pp. 92-103.

This article is quite valuable for me because it shows an idea of hybrid architectures of public and semipublic spaces to development. Conceptually oriented artists tend to be either obsessed or dismissive towards the objects they use. In most cases, somebody else produces the work for them using standard industrial materials. The function of these objects is often descriptive, illustrating of an idea expressed more accurately by textual means. The ideological value of the present or absent texts is mainly to justify the uninteresting objects in their expository function which are as quickly to be interchangeable as produced. This explains why artists who pursue these strategies run the easy risk of ending up arrogant, cynical, arbitrary and formalist in their object choice and presentation. To be informed by an analytical and critical approach often doesn't change this trap.

I also read Rainer Ganahl’s article which is about Tom Burr’s work, and he thought ‘A more satisfying relationship between text and objects is "staged" right now with the works of Tom Burr.’  A simple written texts address the social, architectural, and psychological space of the fluorescent, mirrored 42nd street milieu that one finds all over the "peep showed" world. The short instructive texts ("blue movies", "blue laws", "peep scum atrium" ...) open up a rich conceptual parenthesis which the artist filled with a series of uncompleted light interior short hand architecture in varying sizes.

敬孔

第二篇～～～～～～～
疯了～～～～～～～～

敬孔

终于写完了..........................

敬孔

写完了灌灌水，收拾一下心情～～～～～～～～～～

敬孔

唉，还5帖翻页...我一个人解决吧

敬孔

今天早上9点10份看汇率...
人民币对纽币...5.8821...


疯了...

[ 本帖最后由 敬孔 于 2007-6-11 16:34 编辑 ]

敬孔

新西兰政府对货币的宏观调控是吃干饭的？
房价涨，物价涨，油费涨，汇率也长...

等着乱吧...

敬孔

唉...为什么留学生的日子这么难...............

敬孔

谁施舍一点给我～～～～～～～～